dante lee - 12:51pm Feb 2, 2003 EDT (#69 of 79)

Columbia crashing above ''palestine''... Ariel is going to love this one!

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http://yourturn.npr.org/cgi-bin/WebX?14@230.k7gqahu2cam.3@.1dd02e0c/0

Grant Smith

James Watt

http://yourturn.npr.org/cgi-bin/WebX?8@230.k7gqahu2cam.15@.ee6fc1a

Grant Smith: http://yourturn.npr.org/cgi-bin/WebX?14@230.k7gqahu2cam.3@.1dd02e0c/0
James Watt: http://yourturn.npr.org/cgi-bin/WebX?8@230.k7gqahu2cam.15@.ee6fc1a

What literary power caused the Israeli phalos crush in to the atmosphere? Is
the place in Texas called ''Palestine'' had such a gravity power as to seduce
the space shuttle to crush in to it? Are we witnessing the seduction of
signs, their own gravity and literary interconnections? This is the reason
for the fatal outcome of the American-Israeli phalos lunching - a place
called Palestine, a sign of seduction for any male supremacy, a sign of
castration. Now the story that was one of male power and occupation of space
becomes a complete narrative of heroism and castration, of hubris and
catarzis, of Ilan Ramon - a true hero. True heroism must be fatal, and the
only thing missing from the story was a tragic outcome. Space travel
signifies hyper technology and safety, the victory of man over nature; it is
no drama, it is our daily ideal sterile impotent life. A victory of
probability over luck. But this is (bad) luck. Ramon said that it is safer
to travel space then drive a car, every system is backed by another system
and the chance of a failure is minimal. But the signs feel differently. They
don't regard human laws of probability, as they follow a law of seduction,
luck and fatality. They attract other signs to make stories, and they love
the full, complete and tight narrative. Now we have a true story - not one
of a safe phalocentric technology, but of a catastrophe, a castration drama
that is vital to our moral as a true male Zionists.

is not

was simply mistaken with his Phallos-representation speculation? That scientific error has caused enough damage already.